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activrightbrain

  • Activ Right Brain
  • About Dean
  • Designing The Future
  • Speaker
  • Keynotes
  • Blog
  • Art
  • Contact

The Subtle Art of Adfluence

There are genuine markets for all our current social broadcast ephemera but brands and audiences alike have little idea what experience and depth sits behind these. Do they care? Should they care?

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In a world where anyone can jump on a live stream, become an overnight YouTube sensation or deliver an Instagram account to rival the exploits of Ernest Hemingway, how do we make sense of what we’re presented with, and what sticks?

I recently spent three days in London in the company of Chinese tech giant Huawei at their ‘Global Mobile Broadband Forum 2017’, which sounds tediously dull to my regular audience. It wasn’t.

The main conference introduced the great and the good of various networks (BT, Vodafone, BELL, Viacom, Telefonica) and a collection of speakers telling us how amazing 5G is going to be. It will be, when it finally arrives, but Huawei are at least in the driving seat of the future of connectivity.

Consumers have little interest and even less belief in 5G when most of us still struggle to connect on 3 or 4G. Although we’ll be able to download every episode of Game of Thrones in less than a second with the new technology, in the real world we’d probably do this over WiFi before we left the house.

One of the greatest hurdles ahead for anyone hoping to sell the wonderful world of connectivity is to successfully tell the story of where it practically sits in our daily lives, how it invisibly weaves its magic by empowering the things we already love.

And this is where the most interesting part of the Forum kicked in – the expo. Here, Huawei were demonstrating the practical applications for 5G, such as streamed VR and AR content, connected cars, cows (yes, cows), robots, phones, watches and the world’s first full-size passenger drone – which I just managed to cram my 6 foot frame into. Next steps, test this future mobility platform in the skies where current legislation actually allows for it.

There’s a taster of the expo action in my summary video below.

.@Huawei Global Mobile Broadband Forum = #5G + #VR + #IoT + #Cars + #Drones + #AutonomousDriving + #Wearables + #Robots + #DoctorWho!! #HWMBBF pic.twitter.com/1fZuWV1AgR

— Dean Johnson (@activrightbrain) November 16, 2017

The main reason I find myself spending quality time with Huawei is as a Key Option Leader (KOL) and I’ve built up enough social significance and driven public opinion through conference speaking and broadcast platforms to demonstrate relevance. My third day with Huawei was all about me, I mean us, well the future of ‘Influence’ anyway.

There weren’t any YouTube sensations or Snapchat superstars – this was about how influence will develop beyond the mere title, and how we can genuinely shape opinion rather than merely grab a bunch of likes.

I’ve seen some really poorly targeted influencer campaigns recently, including one global auto manufacturer letting a bunch of the aforementioned YouTubers/SnapChatter stars loose across Europe in their newest hero model, a car they’re never realistically going to buy – not because they couldn’t afford to (they’ve either made enough from their Instagram posts or rich parents to grab anything they want) but because the car was clearly aimed at an entirely different demographic.

I’m sure they delivered thousands of likes and views for the brand – but not from anyone that would part with their cash. The Social/Marketing team probably thought they had a massive success on their hands though as the initial results would seem positive. Let’s see how many cars they shift as a direct result…

So, what’s the future of Influence? Well, most agreed that the type of platforms will be similar – even if new concepts appear, they’ll be accessed on different devices but text, image and video will still be relevant, with voice becoming increasingly popular, especially with the adoption of more AI-driven content and interaction.

There was a general consensus of opinion that ‘likes’ wouldn’t be relevant in the future, but I disagree with this as it’s usually something said by people that don’t receive enough likes. Many people use a like as a way of bookmarking or personally expressing agreement. So unless we all plan to remember everything or agree with nothing, the ability to like is not going away in a hurry.

Also, seeking out your audience will become increasingly important as broadcast continues to increase, you can’t expect everyone to find you.

The best quote of the day came from Tamara McCleary “Relevance is the intersection between your opinion and theirs” – make yourself relevant but not by simply posting exactly what you think your audience wants to hear, as that adds little or no personality.

Here's my personal approach to social content that genuinely influences:

  • Have an opinion – even if it causes controversy by conflicting with your audience because that generates conversation
  • Make something – don’t just repost everybody else’s content or you become a researcher rather than an individual
  • If you want to become an opinion leader, then lead by example rather than generate white noise in the continual pursuit of likes
  • Don’t be afraid to hi-jack a conversation – play the hashtag game and tag your posts to amplify yourself by having the right opinion at the right time
  • Remember, you've had no influence if everything remains the same

I’ve put the above into practice over the past couple of weeks, so here are a few examples. These links are to Tweets but I also posted supporting tailored content across Instagram, Facebook and LinkedIn where relevant:

Lamborghini (I helped the Italian supercar brand to trend globally by Tweeting the launch of their latest concept car revealed at MIT).

Oh, great work @Lamborghini (and @MIT ) - say hello to the #TerzoMillennio, the #EV Superfuture! #EmTechMIT #cars #future #tech #design pic.twitter.com/tzIxzCN4dN

— Dean Johnson (@activrightbrain) November 6, 2017

Hattie meets Google meets John Lewis meets Moz (Google sent Hattie the cuddly Moz toy featured in their Christmas commercial. They also included the accompanying book which interacts with Google Home and Google Home Mini. My video of Hattie was then picked up by John Lewis, Google and the publisher, Nosy Crow).

When Hattie met @Google and @johnlewisretail and #MozTheMonster (and @sallyephillips ) . A lot of love for these brands right now. Thanks @GoogleUK - Hattie loves Moz! Great work from @NosyCrow on the book and innovative #publishing! #googlehome #IoT pic.twitter.com/6M9h1H1U5j

— Dean Johnson (@activrightbrain) November 19, 2017

CUBED (I filmed a promo video for my Keynote at CUBE Tech Fair in Berlin next year. Promoted by the event).

We’re pumped to have @activrightbrain at #CUBETechFair - watch him as he spills some time-tested secrets!

Get a head start on Tech Fair and register now https://t.co/IKac3EVvwx pic.twitter.com/LPpBRGhJUC

— CUBE Global (@CUBEConnects) November 21, 2017

Go forth and Adfluence!

tags: Influence, Influencer, Social, Social media, Huawei, technology, 5G, telco, Lamborghini, Google, Google Home, IoT, John Lewis, CUBE Tech Fair, conference
categories: Conference, Connected World, Social
Sunday 11.26.17
Posted by Dean Johnson
 

2015 Shorty Awards: A Year of Living Dangerously

It’s been a whole year since my last Shorty Awards campaign. Here I am again, but everything has changed! The Apps category is no more so I’m championing an entirely new category… #Innovation.

Last year I reached the final and headed to New York only to miss out on the night. You think the Oscars are competitive, the Shorties are even more cutthroat!

This time, I’d love your votes in a category that will only exist if we work together. There isn’t currently an Innovation category but if I receive enough votes, it’s possible the Real-Time Academy will make it official.

There's no 'I' in Shorty Awards but it is all about the individual. Having said that, the cutting-edge innovation only happens thanks to the brilliant Brandwidth team.

Here’s the link to take you directly to the voting screen, just double check the drop-down box shows ‘Other’ and the text contains the hashtag #Innovation (plus your reason for voting for me of course). We can do this! 

Add your vote! < THIS IS THE REALLY IMPORTANT LINK TO VOTE

 

If you need more convincing, here’s the campaign video featuring Brandwidth’s Star Wars Scene Maker app for Lucasfilm, the incredible Maleficent multi-touch book for Disney, the Bernhoft Islander HD music app, my TEDx Athens 4D app experience and my Oculus Rift Light Saber battle with Apptain America at Silicon Beach.

Oh, and Olivia and Hattie in their own virtual worlds…

To add even more depth, here’s the summary of my Shorty Awards Interview and my thoughts following defeat in New York last year.

Thanks!

tags: Shorty Awards, Shorty Awards 2015, #ShortyAwards, Social, Twitter, Facebook, Instagram, Vine, Brandwidth, Star Wars, Star Wars Scene Maker, Apps, iBooks, Maleficent, Bernhoft, Bernhoft Islander, New York, Real-Time Academy, Apptain America, Silicon Beach, Light Saber, Innovation, #Innovation, TEDx, TEDxAthens, Oculus Rift, VR
categories: Apps, Celebrity, Design, Digital Publishing, Innovation, Social, Publishing, Star Wars
Friday 01.30.15
Posted by Dean Johnson
 

It’s Hip to be Square, but spectacular to be rectangular [updated]

As camera technology changes and social channels multiply, we find ourselves with increasing opportunities to share a visual record of our lives with the wider world. The one constant is the subject matter and how we think about its creative execution. Or is it?

I rarely feel the need to update my blog entries or online articles as they stand as reflections of the moment and passing observations. Occasionally, a product or service upgrade prompts a change of information or time spent with the same requires some additional thought based on a long term review.

I originally wrote the article below as a non-Instagram user, which with hindsight seems a little unfair and ill-informed. All my original opinions still stand regarding composition and over-filtering of images but I'm now sleeping with the enemy… and it's not as bad as it sounds.

The main reason I chose to make the jump was the ability to share. I wanted to broadcast my photography, travels and life experiences through yet another social channel – square or not. I managed to upload 2 years worth of carefully selected 'square-friendly' photos and I'm now up to date.

The photos and videos featured on my other social channels are merely the tip of the creative iceberg. I don't post direct if they won't preview inline so all the rest now lurk on my @activrightbrain Instagram feed.

Here's the original article...

I’m going to be controversial here... I don’t like Instagram. I’m not rebelling against filtered photos or tenuous titling, rather it saddens me that in the quest for the square crop, we’re losing the art of composition.

What do I mean by this? Well, Instagram’s square format is perfect for an avatar but when Twitter’s preview image and both Twitter and Facebook’s header are landscape and Nelson’s Column, the Empire State Building and the Eiffel Tower all deserve a format to match their stature, square doesn’t quite cut it.

If you want an image with four sides of equal length, it should be because you chose that crop, not because it was the only option available. My header image (above) certainly wouldn't have worked on Instagram!

With a full landscape format, we understand the distance jumped and tell a story beyond the captured moment.

With a full landscape format, we understand the distance jumped and tell a story beyond the captured moment.

The smartphone and tablet revolution has given us more than digital independence or the office in our pocket, it has equipped us with a still and video camera so we’re always ready to capture the moment. Here’s the thing, the screen is a rectangle with a ratio of 4:3 to 16:9 and beyond. It seems a shame not to use the digital real estate.

A square crop would have forced us too far from the boy on the train or removed the focus of his attention – the castle.

A square crop would have forced us too far from the boy on the train or removed the focus of his attention – the castle.

A square format works for video platforms such as Vine (and Instagram) as you can pan horizontally and vertically to capture the full height of a subject or the panoramic vision.

However, in a rectangular viewfinder it’s still the general rule that portrait is better for... portraits and landscape is better for... landscapes. If you really want to be a rebel (or just add impact), try it the other way around.

The landscape format illustrates the sheer scale of the beach without overpowering the surfers with too much sand and sky.

The landscape format illustrates the sheer scale of the beach without overpowering the surfers with too much sand and sky.

I can’t deny I have an interesting life and I love having the ability to capture every relevant second on my own terms. To prove the point, I recently sold all my DSLR kit as this represented hardware dictating the terms. There were fewer and fewer opportunities for me to carry all the equipment with me yet my phone travels everywhere I go, especially with a waterproof case. The phone won, the DSLR lost.

Some images just deserve a portrait format. Without it, they're topped and tailed or given too much either side.

Some images just deserve a portrait format. Without it, they're topped and tailed or given too much either side.

The upside of Instagram’s popularity is the fact that many more people are taking and sharing great photos, I just wish we weren’t settling for a single format when we’ve had centuries of painting, drawing and photography to show us that life’s more fun when you’re not trying to be square.

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tags: Instagram, Photography, Social, video, Vine, Facebook, Twitter, Guardians of The Galaxy, Publishing
categories: Celebrity, Design, Galleries, Mobile technology, Publishing, Social, Photography
Sunday 04.13.14
Posted by Dean Johnson
 

The 2014 Shorty Awards: The Short Story

Every year I take advantage of my loyal Twitter followers – a mixture of friends, colleagues, clients, industry peers and generally a bunch of great people, then bombard you all with requests for votes in the Shorty Awards. This year, it all got too much for Apptain America...

If you've never heard of the Shorty Awards (and this is possible), they were set up to recognise excellence in social media by allowing leading Twitterati to canvas for votes... and ultimately acclaim. This resulted in an unfortunate number of award wins for Justin Bieber and One Direction and this annoys me every year when they finish ahead of me in the Design, Technology and Apps categories. I'd love to turn this around in 2014 so please consider my plight and release me from Apptain America's evil clutches. I love an iPad, but wouldn't want to spend too much time in here!

All good campaigns offer one main reason to vote so I'm hoping a hostage situation helps. If not, then my mix of industry news, design, tech, publishing and innovation insight and general irreverence keeps you entertained. My audiences at numerous conferences, on Nikki Bedi's BBC show and the amazing Dadsaster podcast add some extra spice.

Go on, you know it makes sense. Just follow the link, sign in with your Twitter or Facebook account, then add one more vote for @activrightbrain in #Apps, with one simple reason I should grab the award (good, bad or ugly).

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Vote for @activrightbrain

Thanks

tags: Shorty Awards, Social Media, Social, Twitter, Facebook, Vine, Nikki Bedi, BBC, Dadsaster, Podcast
categories: Apps, Celebrity, Design, Innovation, Social
Sunday 01.12.14
Posted by Dean Johnson
 

Designing the Future