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  • Activ Right Brain
  • About Dean
  • Designing The Future
  • Speaker
  • Keynotes
  • Blog
  • Art
  • Contact

Belief

Belief. It’s an emotive word. It comes from the heart and makes the overused ‘authenticity’ seem contrived, because all-too-often it is.

Ironically, there’s an honesty in “helping our audience believe” because that’s how advertising and storytelling works. “Making it feel authentic” suggests a level of trying too hard without offering the small print.

It’s why Steve Jobs captivated an audience. We hung on every word. We believed – because he wasn’t simply selling us a product, he was living it. If we believe the person telling the story also rolls up their sleeves and gets under the skin, we feel their pain or share in their joy. We didn’t care that Steve knew how to sell and manipulate the narrative. Our focus wasn’t on authenticity, we simply believed.

Of course consumers, peers or investors know they’re being sold a story and the details, benefits and projections are important – but the magic lies in a collective belief. Once you invite the spark inside, the next step is to help the fire spread and the skill lies in developing a controlled burn rather than a blazing inferno.

I still believe Apple offers a reliable, quality product and experience that seamlessly weaves together all the digital touch-points of my life. But I no longer believe any of it will excite me – not like the Macintosh, the first Titanium PowerBook, the clamshell iBook, the first, second and third-generation iMac, the beautiful Cube or the iPod. Steve would be furious to discover the most exciting thing Apple has produced in the last decade is an orange prosumer smartphone!

As you know, this platform is full of AI. Posts about it, posts generated by it, posts about posts generated by it and posts generated by it about posts generated by it. The algorithm will probably never even show you this!

At college, a couple of fellow students and I devised a way to streamline the design process. There will always be design requirements that fall into the “that’ll do” category. If you identify this early on, you’ll clear the deck for work that deserves greater focus. Artificial Intelligence (and even Canva) offers quick wins for some design work that never really needs deep thought or skill. So stop pushing AI-generated slop that supposedly champions creativity and get better at identifying where it actually helps, so we can believe in the substance of a product, service or brand. AI won’t dilute humanity – humans inappropriately eulogising AI will.

I was contemplating the concept of time travel last week – as I so often do – and realised how believable period fiction is when actually written in that time.

More so than film or TV or the most immersive VR, if you read an author's words from the 1970's or earlier and they don't reference a mobile phone, it's because they have no knowledge of the technology’s existence rather than trying to 'unthink' them. We fully believe the time in which the story is set because it feels rooted in the period – and with our own brains supplying the visuals, we're not distracted by contemporary actors who we recognise from another time and place.

I still love the Christopher Reeve and Jane Seymour movie 'Somewhere In Time' (itself an adaptation of the novel 'Bid Time Return') that tackles the theory of total time belief in order to experience it.

The first Christmas after my Dad died, cards arrived at the house from friends that hadn’t heard the news of his passing. They believed he was still alive – and to them, he was. This was the purist form of storytelling because unless they were told otherwise, there was no reason to dispute the ‘facts’.

The very best creative work in film and TV makes us believe in what we’re seeing on screen. But this translates to confidence in the studios and channels – I believe I’ll have engaging, entertaining content to watch on Paramount+, Disney+ or Netflix. It doesn’t need to feel authentic, but I believe I’ll continue to be entertained (unless we accept AI-generated scripts and actors).

As Designers we have problems to solve and the privilege to offer beautiful experiences to excite or empower an audience. But without belief we have no audience – and that’s the huge burden of responsibility at the feet of Marketing and Communication.

We have brilliant stories to tell, of magic to weave and no matter how much effort we focus on that being authentic, none of it matters if consumers don’t believe the story – and the brand.

Steve Jobs championed the art of ‘Thinking Different’ and that’s something uniquely human when we follow a tangent, deliver something unexpected and give us all a reason to believe.

Without belief, authenticity is powerless.

"Here's to the crazy ones, the misfits, the rebels, the troublemakers, the round pegs in the square holes ... the ones who see things differently. They’re not fond of rules, and they have no respect for the status quo.

You can quote them, disagree with them, glorify or vilify them, about the only thing you can't do is ignore them because they change things.

They push the human race forward, and while some may see them as the crazy ones, we see genius, because the people who are crazy enough to think they can change the world, are the ones who do.”

Steve Jobs

tags: Belief, Design, marketing, branding, storytelling, Steve Jobs, Apple, AI, Artificial Intelligence, Publishing, communications
Sunday 10.19.25
Posted by Dean Johnson
 

CES 2015: And the Winner is… Social Media

Wearable Tech, Autonomous Cars, Connected Homes and Robots. CES 2015 was as big, loud and crazy as ever but what came out on top? All the above, but the winner was social media in all its shapes and forms.

Heading to Vegas last week, I already knew what would provide the main talking points for the industry. I’m not being cocky, but if I didn’t have a damned good idea I wouldn’t be doing my job at Brandwidth and beyond.

Whilst at CES, I wrote about Smartwatches, Wearable Tech and Robots. All three articles took off in a big way on my social channels but some of my other experiences were just as popular. Twitter, Instagram and Vine were the main stalwarts, covering my initial backchat at the ‘State of the Industry’ press conference (including Selfie Stick mockery), through my BMW i8 driving at the superbly organising automotive manufacturer’s experience (complete with Laser Light Show), to the incredible performance by Frankie Moreno in the Gibson tent.

A superb week that I could have gleaned tech industry news from afar via social channels, but being there made all the difference. From outside, the event looks like a barrel full of nerds, from the inside it shows that technology supports the world in which we live but requires the entertainment, engagement and most importantly ‘soul’ of the best innovators and creative minds.

Music, film, TV, publishing, automotive, retail, leisure, museums… and many more. All these industries need to work hand-in-hand with technology as a means to drive forward and make themselves relevant in the places their customers reside. They don’t need to build the hardware or construct the platforms but they damn well need to make great digital content and experiences.

Here are my CES social landmarks…

Scourge of the Selfie Stick

This guy just got bored and is taking selfies in the corner... #CES2015 pic.twitter.com/NR6h1xLKMp

— Dean Johnson (@activrightbrain) January 4, 2015

Numerous reposts and later featured on Mashable

 

The unsexy s(l)ide of Wearable Tech

How to make #WearableTech / #Wearables look unsexy with just one slide. All the good work undone folks #CES2015 pic.twitter.com/h0zy1XExE3

— Dean Johnson (@activrightbrain) January 4, 2015

 

Dawn of the DumbWatch

#CES2015: Dawn of the DumbWatch http://t.co/9wTpJ3WzKK #WearableTech #Wearables #Smartwatch pic.twitter.com/CF1FXY7V7D

— Dean Johnson (@activrightbrain) January 5, 2015

 

Taking the fight to Apple Watch – Sony SmartWatch 3

Taking the fight to #AppleWatch - #Sony #Smartwatch3 Steel & changeable strap available next month #wearabletech #CES2015 #SonyCES #tech #Vegas #Wearables #Smartwatch

A photo posted by Dean Johnson (@activrightbrain) on Jan 5, 2015 at 6:04pm PST

 

Driving the Future – the BMW i8

Just drove the future around #Vegas - a #BMWi8. Stunning, just stunning. #BMWCES2015 #CES2015 pic.twitter.com/grA50MQFni

— Dean Johnson (@activrightbrain) January 6, 2015

 

This shit got real! No, virtual…

 

Frankie Moreno and Gibson prove gadgets aren’t just for geeks

Brilliant high-energy performance from @frankiemoreno at @gibsonguitar. #CES2015 - not just geeks & gadgets! pic.twitter.com/GSJkjuuDr9

— Dean Johnson (@activrightbrain) January 7, 2015

 

BMW Laser Lights

Stunning #BMWM4 Concept Iconic laser lights (the lights are the stars of the show) #BMWCES2015 #CES2015 #innovation pic.twitter.com/avHTJxijpJ

— Dean Johnson (@activrightbrain) January 7, 2015

 

Wearables: The Whole Package

#VR & #AR #WearableTech at #CES2015 - #Wearables: The Whole Package http://t.co/mBcIYHnWsb - #Robots tomorrow! pic.twitter.com/qGgtqN9EcN

— Dean Johnson (@activrightbrain) January 8, 2015

 

Rise of The Machines

You thought #CES2015 was all about #Wearables? Think again... Rise of the Machines http://t.co/IkjUa4ouj9 #robots pic.twitter.com/D5tbcWAVUg

— Dean Johnson (@activrightbrain) January 9, 2015
tags: Wearable tech, Wearables, autonomous driving, autonomous cars, connected home, robots, CES 2015, CES, #CES2015, Vegas, smartwatch, BMW i8, BMW, Frankie Moreno, Gibson, Music, film, TV, Publishing, Automotive, retail, leisure, museum, Selfie Stick, Apple Watch, Sony Smartwatch 3, i8, Oculus Rift, VR, Social media, Twitter, Vine, Instagram, NAO
categories: Automotive, cars, Conference, Futurology, Gadget, Innovation, Mobile technology, Museums, Music, Publishing, Social, Wearable Technology, Travel
Monday 01.12.15
Posted by Dean Johnson
 

It’s Hip to be Square, but spectacular to be rectangular [updated]

As camera technology changes and social channels multiply, we find ourselves with increasing opportunities to share a visual record of our lives with the wider world. The one constant is the subject matter and how we think about its creative execution. Or is it?

I rarely feel the need to update my blog entries or online articles as they stand as reflections of the moment and passing observations. Occasionally, a product or service upgrade prompts a change of information or time spent with the same requires some additional thought based on a long term review.

I originally wrote the article below as a non-Instagram user, which with hindsight seems a little unfair and ill-informed. All my original opinions still stand regarding composition and over-filtering of images but I'm now sleeping with the enemy… and it's not as bad as it sounds.

The main reason I chose to make the jump was the ability to share. I wanted to broadcast my photography, travels and life experiences through yet another social channel – square or not. I managed to upload 2 years worth of carefully selected 'square-friendly' photos and I'm now up to date.

The photos and videos featured on my other social channels are merely the tip of the creative iceberg. I don't post direct if they won't preview inline so all the rest now lurk on my @activrightbrain Instagram feed.

Here's the original article...

I’m going to be controversial here... I don’t like Instagram. I’m not rebelling against filtered photos or tenuous titling, rather it saddens me that in the quest for the square crop, we’re losing the art of composition.

What do I mean by this? Well, Instagram’s square format is perfect for an avatar but when Twitter’s preview image and both Twitter and Facebook’s header are landscape and Nelson’s Column, the Empire State Building and the Eiffel Tower all deserve a format to match their stature, square doesn’t quite cut it.

If you want an image with four sides of equal length, it should be because you chose that crop, not because it was the only option available. My header image (above) certainly wouldn't have worked on Instagram!

With a full landscape format, we understand the distance jumped and tell a story beyond the captured moment.

With a full landscape format, we understand the distance jumped and tell a story beyond the captured moment.

The smartphone and tablet revolution has given us more than digital independence or the office in our pocket, it has equipped us with a still and video camera so we’re always ready to capture the moment. Here’s the thing, the screen is a rectangle with a ratio of 4:3 to 16:9 and beyond. It seems a shame not to use the digital real estate.

A square crop would have forced us too far from the boy on the train or removed the focus of his attention – the castle.

A square crop would have forced us too far from the boy on the train or removed the focus of his attention – the castle.

A square format works for video platforms such as Vine (and Instagram) as you can pan horizontally and vertically to capture the full height of a subject or the panoramic vision.

However, in a rectangular viewfinder it’s still the general rule that portrait is better for... portraits and landscape is better for... landscapes. If you really want to be a rebel (or just add impact), try it the other way around.

The landscape format illustrates the sheer scale of the beach without overpowering the surfers with too much sand and sky.

The landscape format illustrates the sheer scale of the beach without overpowering the surfers with too much sand and sky.

I can’t deny I have an interesting life and I love having the ability to capture every relevant second on my own terms. To prove the point, I recently sold all my DSLR kit as this represented hardware dictating the terms. There were fewer and fewer opportunities for me to carry all the equipment with me yet my phone travels everywhere I go, especially with a waterproof case. The phone won, the DSLR lost.

Some images just deserve a portrait format. Without it, they're topped and tailed or given too much either side.

Some images just deserve a portrait format. Without it, they're topped and tailed or given too much either side.

The upside of Instagram’s popularity is the fact that many more people are taking and sharing great photos, I just wish we weren’t settling for a single format when we’ve had centuries of painting, drawing and photography to show us that life’s more fun when you’re not trying to be square.

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tags: Instagram, Photography, Social, video, Vine, Facebook, Twitter, Guardians of The Galaxy, Publishing
categories: Celebrity, Design, Galleries, Mobile technology, Publishing, Social, Photography
Sunday 04.13.14
Posted by Dean Johnson
 

Designing the Future