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  • Activ Right Brain
  • About Dean
  • Designing The Future
  • Speaker
  • Keynotes
  • Blog
  • Art
  • Contact

Belief

Belief. It’s an emotive word. It comes from the heart and makes the overused ‘authenticity’ seem contrived, because all-too-often it is.

Ironically, there’s an honesty in “helping our audience believe” because that’s how advertising and storytelling works. “Making it feel authentic” suggests a level of trying too hard without offering the small print.

It’s why Steve Jobs captivated an audience. We hung on every word. We believed – because he wasn’t simply selling us a product, he was living it. If we believe the person telling the story also rolls up their sleeves and gets under the skin, we feel their pain or share in their joy. We didn’t care that Steve knew how to sell and manipulate the narrative. Our focus wasn’t on authenticity, we simply believed.

Of course consumers, peers or investors know they’re being sold a story and the details, benefits and projections are important – but the magic lies in a collective belief. Once you invite the spark inside, the next step is to help the fire spread and the skill lies in developing a controlled burn rather than a blazing inferno.

I still believe Apple offers a reliable, quality product and experience that seamlessly weaves together all the digital touch-points of my life. But I no longer believe any of it will excite me – not like the Macintosh, the first Titanium PowerBook, the clamshell iBook, the first, second and third-generation iMac, the beautiful Cube or the iPod. Steve would be furious to discover the most exciting thing Apple has produced in the last decade is an orange prosumer smartphone!

As you know, this platform is full of AI. Posts about it, posts generated by it, posts about posts generated by it and posts generated by it about posts generated by it. The algorithm will probably never even show you this!

At college, a couple of fellow students and I devised a way to streamline the design process. There will always be design requirements that fall into the “that’ll do” category. If you identify this early on, you’ll clear the deck for work that deserves greater focus. Artificial Intelligence (and even Canva) offers quick wins for some design work that never really needs deep thought or skill. So stop pushing AI-generated slop that supposedly champions creativity and get better at identifying where it actually helps, so we can believe in the substance of a product, service or brand. AI won’t dilute humanity – humans inappropriately eulogising AI will.

I was contemplating the concept of time travel last week – as I so often do – and realised how believable period fiction is when actually written in that time.

More so than film or TV or the most immersive VR, if you read an author's words from the 1970's or earlier and they don't reference a mobile phone, it's because they have no knowledge of the technology’s existence rather than trying to 'unthink' them. We fully believe the time in which the story is set because it feels rooted in the period – and with our own brains supplying the visuals, we're not distracted by contemporary actors who we recognise from another time and place.

I still love the Christopher Reeve and Jane Seymour movie 'Somewhere In Time' (itself an adaptation of the novel 'Bid Time Return') that tackles the theory of total time belief in order to experience it.

The first Christmas after my Dad died, cards arrived at the house from friends that hadn’t heard the news of his passing. They believed he was still alive – and to them, he was. This was the purist form of storytelling because unless they were told otherwise, there was no reason to dispute the ‘facts’.

The very best creative work in film and TV makes us believe in what we’re seeing on screen. But this translates to confidence in the studios and channels – I believe I’ll have engaging, entertaining content to watch on Paramount+, Disney+ or Netflix. It doesn’t need to feel authentic, but I believe I’ll continue to be entertained (unless we accept AI-generated scripts and actors).

As Designers we have problems to solve and the privilege to offer beautiful experiences to excite or empower an audience. But without belief we have no audience – and that’s the huge burden of responsibility at the feet of Marketing and Communication.

We have brilliant stories to tell, of magic to weave and no matter how much effort we focus on that being authentic, none of it matters if consumers don’t believe the story – and the brand.

Steve Jobs championed the art of ‘Thinking Different’ and that’s something uniquely human when we follow a tangent, deliver something unexpected and give us all a reason to believe.

Without belief, authenticity is powerless.

"Here's to the crazy ones, the misfits, the rebels, the troublemakers, the round pegs in the square holes ... the ones who see things differently. They’re not fond of rules, and they have no respect for the status quo.

You can quote them, disagree with them, glorify or vilify them, about the only thing you can't do is ignore them because they change things.

They push the human race forward, and while some may see them as the crazy ones, we see genius, because the people who are crazy enough to think they can change the world, are the ones who do.”

Steve Jobs

tags: Belief, Design, marketing, branding, storytelling, Steve Jobs, Apple, AI, Artificial Intelligence, Publishing, communications
Sunday 10.19.25
Posted by Dean Johnson
 

2013: Future Fiction

What's new for design, technology and publishing in 2013? A valid question but why not resolve to make a difference, rather than predict what everyone else will do.

It's all too easy to find yourself caught up in the present, like a fly in a web, albeit a digital one in this case. Attending to clients with immediate requirements and never allowing yourself time to look further ahead than lunch or the next meeting can lead to a very blinkered approach to work and life.

Future_typewriter.jpg

I am in the fortunate position where my job specifically requires me to daydream, allowing my imagination to wander, looking beyond the present and jumping headlong into the future.

I have always loved the concept of time travel but it's not the vision of future civilisations or making history tangible that intrigues me, I'm fascinated by the impact of our actions and the rebuttal of inevitability. I don't believe in fate and I have never subscribed to the theory that our lives are in any way shape or form planned for us. If they were, why even bother to climb from our beds in the morning? Why take a different route to work? Why try to shape a business or industry for the better when the end result is written in stone.

Stephen King explored the obdurate past in his novel '11.22.63', stubbornly trying to reassemble itself into a network of intersecting lines that results in the same conclusion, the same historic path, the same planned inevitability. The challenge lies in breaking these strands to change the course of history.

OK, as the option to change the past isn't currently available to us, let's focus on the future as this lies in the hands of individuals prepared to write the history books and create 'Future Fiction'. You don't have to be an author, but someone with a passion to create a narrative for history, rather than slavishly follow focus groups or base all resources on developing multiple-choice products. In order to create and shape demand, you need to define the criteria and the product yourself.

Apple's 'Think Different' slogan is as powerful today as it was when this inspirational ad aired in 1997.

From Albert Einstein to Martin Luther King, Jim Henson to Steve Jobs himself, these were individuals with strong personalities and conviction, carving out deep impressions in the very fabric of history. 

The author Philip K Dick is a great example of a 'fictional innovator' – he gave us incredible glimpses of the future with classics such as Blade Runner, Total Recall and Minority Report. A recent comment on Twitter referred to Minority Report as pure fiction that should be treated as such. Well, we may not be exploiting precogs, but we're certainly using Tom Cruise's gestural interface. Several years ago Brandwidth worked on some stunning gestural interaction and 3D plasma screen projects for Toyota, so we've been used to keeping in line with fiction in order to keep clients ahead in the 'real world'.

2013 offers us more tools than ever before to bring the future into focus. Watch out for wearable technology and a return of gestural interfaces, powered by great hardware such as Leap and Microsoft's Kinect. When scale is important, we'll move beyond touchscreens and bring digital content into our physical environment. Don't worry, that doesn't make your smartphone and tablet obsolete, just open your minds to TVs, shop windows and car interiors that need you to wave your arms around.

This is an exciting time to make a digital difference in a physical world. Don't settle for today, when tomorrow has yet to be shaped. Get out there and write the future, don't sit back and read it.

tags: Stephen King, Apple, Steve Jobs, Minority Report, Albert Einstein, Blade Runner, Total Recall, time travel, Leap, Brandwidth, Tom Cruise, Jim Henson, Think Different, Toyota, Microsoft Kinect, Martin Luther King, Philip K Dick
categories: Automotive, Innovation, Books, Gadget, Design
Tuesday 12.18.12
Posted by Dean Johnson
Comments: 4
 

The Ultimate Agency

​Imagine the creative output if the world’s top minds collaborated on a daily basis to run The Ultimate Integrated Agency. Creativity takes many forms, from entrepreneurial business minds and innovative strategists to visionary designers from many disciplines. I’ve decided to bring a personal selection together to see if my Magnificent Nine make a winning combination or a recipe for disaster.

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I’m not suggesting for one moment that this collection of egocentric individuals would last a week in business together, but let’s suspend belief and focus on the potential.

Some are pretty obvious choices and others less so, but they wouldn’t have made the interview if I didn’t admire their work. The following role call illustrates my top virtual selection for ‘The Ultimate Agency’...

Steve Jobs
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{ CEO }

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What I’ve not alluded to is whether The Ultimate Agency is a start-up, successful ongoing project or a business in need of a change of direction. Not a problem for our CEO, as Steve Jobs has had experience with all three. The charismatic, single-minded leader of the Apple empire co-founded the whole operation in 1976, took it to the brink, left, returned in 1997, regrouped and hasn’t looked back since.

With some of the most committed brand evangelists in the business Apple’s products almost sell themselves. However, without Jobs leading from the front and his shared vision with Jony Ive, the company wouldn’t be where it is today. I’d hate to see Microsoft’s Steve Ballmer screaming up and down the stage at a keynote, promoting anything from Apple as they just wouldn’t be the same products anymore. You’ll not find any current Microsoft employees in my Ultimate Agency list, the Windows 7 launch party TV ads would have hammered the nail in that coffin.

Jason Calacanis
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{ Business Acquisition and Development Director }

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I want someone in this role willing to drive the agency (and the clients) forward into new markets with a thorough understanding of each. Jason Calacanis is a US entrepreneur with a proven track record of starting, developing and profitting from very successful businesses.

The potted history begins in 1996 when Calacanis started the Silicon Alley Reporter (sold in 2003), next founding Weblogs, Inc (sold in 2005), roles as SVP of AOL and General Manager of Netscape followed until founding Mahalo.com in 2007. In 2009 Jason embarked on another venture, the ‘This Week in...’ webTV network, hosting topics from video games, to poker, to comedy to This Week In StartUps, hosted by Jason.

Calacanis’ CV demonstrates a razor-sharp entrepreneurial instinct essential for any business, especially useful in the cutthroat world of the creative industry.

Mitch Joel
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{ Head of Marketing Strategy }

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If anyone in the marketing and social media business hasn’t heard of Mitch Joel, then go and look him up. His is the one voice of reason you should be listening to and his blog and book (both entitled Six Pixels of Separation) tell it like it is, not how marketers make it sound.

It can get tiring for most ‘normal’ people to spend time with marketers and it’s easy to resent the influx of acronyms and tech-speak uncomfortably shoehorned into conversation so I’ve chosen Mitch to head up Marketing Strategy for the no-nonsense Ultimate Agency.

Mitch is an inspirational speaker and an effective business generator so will work well with my next appointment to the team...

Stephen Fry
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{ Client Services Director }

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Actor, writer, presenter, raconteur, all-round passionate enthusiast and communicator... Stephen Fry is a man of many talents. He ticks all these boxes but they culminate in one compelling reason to include him in my list: A truly great Client Services Director should not only understand and love the business but the business should love them back.

Stop people in the street and ask who they’d invite round for a dinner party and the chances are nine out of ten would have Stephen Fry down for an invite. The Dalai Lama is a worthy addition, but I’d rather discuss the pros and cons of Blackadder, Oscar Wilde and my iPhone with the former partner to Dr. Gregory House. I’m sure clients would feel the same.

Don Draper
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{ Creative Director }

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Yes, I know Don Draper is a fictional character, played by Jon Hamm in the award-winning Mad Men, but you’d soon have a go at me for putting my own name forward so Draper gets my vote.

A great Creative Director should be a maverick, with an opinion on everything thrown at them. Sitting on the fence isn’t an option as the team around them are there to put the case for and against the client’s brief. Each job exists to be questioned and challenged, not followed religiously otherwise the role of Creative Director is relegated to that of designer or manager and facilitator, rather than inspirational leader.

Don Draper could never be described as a follower and if he goes off the rails occasionally, his outstanding team is there to ensure the final destination is still reached.

Wally Olins
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{ Brand Director }

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If you want to get intimate with the internal workings of a brand, Wally Olins is the man to speak to. Wally is one of the most engaging public speakers I have had the pleasure of listening to. He makes the business of branding interesting because of the stories he recounts regarding his vast experience in the subject.

It is this back-story to each brand that marks Wally out as a great – it’s certainly not about a quick visit to the drawing board or Mac but a deep understanding of where a brand stands, where it wants to be and how its audience relates to it.

Wally’s years of experience, from his time with Wolff Olins, to his present position as Chairman of Saffron Brand Consultants have resulted in a folio of satisfied clients, ranging from Volkswagen, BT & Coca-Cola to brand positioning for Poland, Spain and London (for the 2012 Olympics – like it or loathe it!). I think The Ultimate Agency branding would be safe in Wally’s Olins’ hands.

Moritz Waldemeyer
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{ Head of Emergent Technology }

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Moritz Waldemeyer may well be the closest you’ll get to a designer living the contemporary rock and roll lifestyle without ever really stepping into the limelight. His incredible LED ‘laser suits’ have made on-stage appearances when worn by Rihanna, OKGO, Mika and U2 as well as hitting the catwalk in collaboration with Hussein Chalayan and Swarovski.

Big brands are now queuing up to work with Waldermeyer, as his combination of technology, art, fashion and design generate live effects seemingly drawn straight from the digital realm. Having trained as an engineer, Waldermeyer’s projects function as planned even if they do have an air of fantasy about them. An ideal combination for the Ultimate Agency – thinking outside the box, but filling it with useful tools.

Thomas Heatherwick
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{ Architectural Design Director }

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Although Thomas Heatherwick shares a talent with my next appointment for designing incredible open spaces (and the structures that sit within them), Heatherwick’s focus remains fixed in an architectural direction. His New Bus for London may step on a few toes but Newson’s heart lies with product design.

Heatherwick’s most recent public project, The UK Pavilion at Shanghai Expo 2010, highlights his continuing avoidance of all things conventional. His ‘B of The Bang’ sculpture to celebrate Manchester’s 2002 Commonwealth Games was finally dismantled last year, having never fully opened, after fears over the stability of its huge metal spikes. Some would call it unsafe. I’d call it edgy.

Marc Newson
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{ Head of Product Design and Development }

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“No Jony Ive?” I hear you cry. I haven’t faltered in my allegiance to Apple but The Ultimate Agency needs a versatile as well as visionary leader to head up the product category. Jony Ive continues to deliver beautiful objects of desire under the Apple banner but Australian-born Newson doesn’t fly the flag for any one brand. He’s his own man and this shows in the breadth and depth of his portfolio.

As I’ve mentioned above, Newson shares many skills with Heatherwick, however I’m not expecting the two to fall out now they’re working for The Ultimate Agency – quite the opposite, it’s the collaborative fallout that interests me and I’d love to see the results.

The nine creative individuals listed above all epitomise the industry’s pioneering spirit. It’s their kind of risk-taking I’m looking for. There’s always going to be room for ‘safe’ in the world, but safe never scaled Everest, it didn’t reach the moon and it certainly won’t make it through the door of The Ultimate Agency.

tags: Don Draper, Marc Newson, Moritz Waldemeyer, Mitch Joel, Stephen Fry, Steve Jobs, Thomas Heatherwick, Jason Calacanis, Wally Olins, Jon Hamm, Agency
categories: Business, Innovation, Agency, Design
Monday 09.20.10
Posted by Dean Johnson
 

Designing the Future