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  • Activ Right Brain
  • About Dean
  • Designing The Future
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Let’s Talk About Sex

Actually, we’ll get back to the headline in a minute. For now, let’s talk about techs. Rolling into 2018 and everyone is asking the usual question – what’s the next big thing in tech? An easy answer is Artificial Intelligence, but ironically it’s not an intelligent answer, because it’s the wrong question.

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AI will deliver unprecedented pace of engagement, hyper-accelerated data management, offer decision-making services, freeing human brain power to do what it does best – add personality, creativity, strive for success and push boundaries.

But it isn’t answering a question that needs to be asked right now. Those of us that ‘make stuff’ – either physically or virtually – and provide more than a service find ourselves delivering an experience, heightening sensations and making us all feel better as humans – even if only for a second, we’re asking the most important question – what’s the next big platform?

It’s mobility. Not just cars, it’s bigger than that. This is a platform that has history, heritage and a solid technological background, so it doesn’t fall at the first hurdle.

The automotive industry has spent forever telling an audience (drivers) that they can’t be distracted from their main objective – driving. This hasn’t been an opportunity to sell, as with most ‘platforms’ or deliver information overload. We have specific data to process when a vehicle is on the move – speed, obstacle avoidance, range and comfort and little beyond.

Although systems are already being integrated into the latest generation of cars, most visual information is still processed by us and acted upon in the most appropriate manner.

Entertainment has come in the form of audio-only broadcast or playback and nothing can encroach on our main focus. The industry is about to experience seismic activity.

With the introduction of the autonomous vehicle this ALL changes. From zero distraction to channelling the outside world. All of it.

I’m in the fortunate position where I get to test a lot of emerging technology at a very early stage. It makes a fundamental difference when you experience the future, rather than simply read about it. Take it from me, if I’ve been hands-on, I will tell it like it is – not just a sanitised relaying of the facts, but how we’ll feel physically and emotionally about what’s around the corner.

I’ll write a lot more about mobility as a platform as we deliver it in 2018 and beyond, but back to that headline…

If the car moves from a focused driving environment to an empty vessel bursting with promise, how do we fill our time and fulfil our potential? Well, you tap into the obvious first – social comms, localised information, entertainment (movies, music and gaming) and deliver the mobile office. But it’s in moving beyond this where we really tap into the benefits of a controlled environment.

I spent time with Renault recently, testing their autonomous SYMBIOZ EV. This performed on the expected levels – driving itself and in silence, but with the additional element of VR. Wearing a headset seamlessly built into your vehicle, displaying content that moves and turns in sync with the movement of the car doesn’t just immerse the occupants, but enhances the experience beyond that of a simple VR HMD. Control and comfort (both physical and psychological) are key ingredients to acceptance of VR as a viable medium. This is incredibly effective in a car.

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So what content do we make?  I’ve long held the belief that we’ve neglected the psychological aspect of being human when designing a vehicle. Many people around the world use their cars as a personal and private space. A symbol of independence in an increasingly impersonal and overcrowded world. This naturally brings us to the elephant in the car – sex.

Drivers and passengers have sex in cars, but manufacturers refuse to publicly acknowledge this. As we head towards a world where we’ll be offered alternatives to ownership and ‘self-driving’, how will mobility brands entice their passengers in? They’ll need to offer comfort, personalisation and access to the things we all take for granted outside a vehicle.

So, admit it or not – sex happens. And it’s something that will increasingly occur in new virtual environments. Not to replace the real thing, but to enhance it, or extend the long distance (and potentially socially-driven) relationships.

In a data-hungry world, the connected car is only relevant if it’s actually connected. We demand this in our everyday lives and 2018 is a big year for building the foundations of the new mobility platform so we’re ready for the next technological revolution.

I’ve spent enough time with Huawei over the last 12 months to realise they’re poised to make this future platform a reality. They have a new partnership in place with PSA Group to connect vehicles to the outside world and each other but Huawei is once again playing its trump (small T) card with their future dominance of the 5G market.

I’m more than along for the ride with Huawei, I’ll be pushing for everything we hope for to become reality so we’re still driving the future, even if the cars are driving themselves.

 

If you'd like to hear more on the subject matter in this post, this Alexa Stop Podcast Innovation Social CES Special delivers.

tags: Cars, mobility, automotive, VR, Virtual Reality, futurology, future tech, sex, future of sex, Huawei, Renault, Nissan, AI
categories: Artificial Intelligence, Automotive, cars, Connected World, Futurology, Gadget, Innovation, Mobile technology, Mobility, Social, Virtual Reality, Travel
Wednesday 12.27.17
Posted by Dean Johnson
 

Goodwood Festival of Speed: Alive and Kicking

Contrary to popular belief, the motor industry is alive and well… and Goodwood Festival of Speed once again proves this point. 

This annual automotive extravaganza isn’t an out-of-touch bubble of petrol-headed enthusiasts descending on Lord March’s estate – it’s proof that there’s hope for an extraordinary industry.

I’m the first to talk about the future of the business, where incredible technology will deliver a safer and more efficient transportation network, but I’ll always counter this with a need for brand individuality and a personal love of driving. Give me autonomous commuting, but hands-on engagement for those twisting back roads. I want to see alternatives to fossil fuels, but silence isn’t always golden so deliver the sound of the future, not merely the vision.

I’ve written enough about Goodwood to avoid repeating myself again, but this incredible event is a sell out every year. Attendees of all ages reminisce about past racing glories, touch the supercars of today and marvel at the concepts for the next generation of characterful transportation.

You won’t find bottom-of-the-range city cars – this is about realising potential and dreaming big and it’s how the brands with panic in their eyes can best educate future audiences to the benefits of driving and ownership.

From a stunning show, I’ve chosen my top 4 cars and the best luxury and volume brands…

4 > Renault R.S. 2027 Vision

A stunning realisation of the future of F1 racing, from the company already bringing us Formula E racers and their own F1 efforts. I hope Formula 1 reaches this level of design thinking before 2027!

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3 > Jaguar XE SV Project 8

Jaguar’s smallest offering (until the I-Pace arrives) on steroids. The SVO team has injected 200mph and 600PS into this saloon to deliver 0-60 dash in 3.3 secs and a great looking car. I love the honeycomb face.

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2 > Aston Martin Valkyrie

Bringing the hyper to hypercar, this automotive project with RedBull Racing looks more like a fighter jet for the road. It’s hard not to appreciate the aerodynamic superiority and unashamed nod to the future. Very nearly my number one but the green centre stripe loses a point. It works on a Ford GT, but seems unnecessary here – even if it is a nod to the racing team.

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1 > Robocar

Top spot goes to a car encompassing design, innovation, technology and the future of autonomous racing. This vision of supremely talented British designer Daniel Simon is driving its development alongside the Formula E racing series and ticks all the automotive boxes.

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Top Luxury Auto Manufacturer > BMW

This sporting marque brought the beautiful 8 Series Concept to Goodwood, alongside the hybrid i8 supercar in some adventurous liveries. These halo models continue to filter their design inference down to the rest of the range and push technological development without sacrificing driving pleasure.

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Top Volume Auto Manufacturer > Renault

A great show for Renault! Not only hitting my top 4 with their R.S. 2027 Vision, but also bringing some EV madness in the shape of their ZOE eSport Concept and the Alpine compact supercar. I just wish the Zoe had been equipped with a stunning sound generator for the hill climb. Something to consider for Formula E where everything sounds like Scalextric cars when it has the potential to emulate Star Wars!

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Here’s to Goodwood Festival of Speed 2018. We don’t need to wait to be excited though, these cars are amazing 365 days of the year!

tags: Goodwood Festival of Speed, Goodwood, cars, BMW, Renault, Jaguar, Roborace, Robocar, Aston Martin, RedBull
categories: Automotive, cars, Design, Innovation
Monday 07.03.17
Posted by Dean Johnson
 

Top Gear Head to Head

Right, you’ve got 30 seconds they said. You want to be a Top Gear presenter? Give it everything they said. Here you go, have a video. But it’s not enough I said. 43 years of preparation should be enough. It turns out it isn’t.

Anyone that knows me, or reads this blog regularly, knows I don’t do things by halves. I’ve co-presented with Apptain America (and even died at the point of his light saber in front of a live audience), had 4-way conversations with a bunch of mobile devices and recently revealed virtual reality Star Wars, inadvertently creating Vader porn.

Given 30 seconds to explain why I was the best man for the Top Gear job, there were undoubtedly some questions left unanswered so who better to ask them than… me.

So, straight to the point… do you think you can do better?

It’s not about doing a better job. If that’s your starting point then you’ve lost the audience already. On the other hand, this isn’t about keeping Jeremy, Captain Slow and the Hamster alive so I hope Chris and his production team aren’t just looking for impersonators and ‘natural successors’.

If you’re not the same, what are you?

Obviously, I’m a car nut – that’s a prerequisite. I’m also a presenter, so I guess that helps. I can talk passionately about this stuff, but not just about the fact it exists. I’ve spent years immersed in the automotive industry, working from the inside but loving it from the outside. My creative and technology backgrounds also mean I can talk with some degree of knowledge about why something looks like it does and where it’ll be in the future. What I’m NOT is a racing driver (although I’ll drive anything) or an engineer (so if it breaks down I can probably find the dipstick. Probably). I also haven’t had my photo taken next to any drivers or TV motor show presenters, so that probably counts me out already, although I once painted Tiff Needell’s portrait and Jeremy parked in a disabled space outside my house in Chipping Norton.

Why do you want this? Don’t you like your job?

I already have one of the best jobs in the world. The things we do at Brandwidth help change the shape of the automotive world. Giant holographic cars, showroom interaction and the Porsche Apple Watch app have all been industry ‘firsts’ for us.

This isn’t about running from something, it has everything to do with driving towards an extraordinary start line. This may never happen, in fact it probably won’t, but you’ll never know if you never try. Regret is an awful thing that burns far more energy than rising to a challenge.

Classic cars, what have you got against them?

It’s not that I don’t like ‘classics’ it’s just that my take on them covers the time most relevant to me - ie 1971 onwards. I’ve loved cars from the time I was able to ride in them (not drive them). I have an appreciation of the earlier cars but I really love where the industry is going so don't spend too much time looking back.

It’s the dream garage question. What’s your top three?

I wrote about the ones that got away a few years ago, listing cars such as the Plymouth Prowler, Fiat Coupé, TVR Sagaris and Renault Avantime. I’d still love them all in my garage but given the choice of three today I’d have a different short list.

First up would be my practical ‘family car’, an Alfa Romeo Giulia Quadrifoglio despite the fact it’s not available yet and I’d have trouble ordering one as I can’t pronounce it. I’m not sure I could own a car with a name like the sound made when driving over a cattle grid, but I'd give it a go.

The BMW i8 would have to be in my garage. I was fortunate enough to drive one around Vegas earlier this year and it ticks ALL the boxes for me. It’s a genuine supercar – the dimensions, performance and price all say so. It’s a technological tour de force, combining a clever hybrid engine, build and aerodynamics. The i8 is also a visual masterpiece, delivering head-turning drama with every surface, inside and out. It really is a concept car for the road.

I’d have another BMW for my third car – one of those ‘classics’, an 850CSi. I test-drove one at 19 but couldn’t buy it because my client was assassinated. It’s a long story and I’ll save that one for another day.

There may be one in your dream garage but you've never owned an Alfa. You’re not a proper petrolhead then?

At the risk of getting all defensive, this Top Gear thing is important, it’s incredibly exciting but as with my potential Alfa ownership, my family has been even more important. The first Alfa I really wanted was a GTV, around the same time I wanted a Fiat Coupé. I couldn’t afford either at the time so bought a Fiat Bravo instead because I loved the back lights and the tape deck cover. Seriously. I nearly bought a 147 for my wife, but we bought the first new generation MINI instead and never regretted that (she’s on her fourth now). By the time I could afford a Brera I had 2 kids with legs, so that wasn’t an option. I still wanted a 159 but bought a BMW instead as it was faster and pretty much guaranteed the whole A to B thing. There’s still an Alfa Romeo 8C Coupé on my wish list, and that Giulia Quadrifoglio.

First automotive pin up?

In the seventies I had a painting of an Escort MEXICO rally car on my bedroom wall. My dad had a white 2 door Escort estate as a company car and it was the closest we got to motor racing in those early years, with the shopping bouncing around in the boot.

First car driven?

Does a Sinclair C5 count? I loved that little plastic-bodied thing, with handlebars under your knees and bugs-in-your-teeth motoring.

First car owned. It can’t be a C5.

Ironically, I actually owned a Citroën C5 a few years a go (and an amazing C6), but that wasn’t as much fun as the Sinclair version. My first car was a Ford Fiesta MkI, in ‘almost British Racing Green’ with a brown vinyl roof. I thought it would be a great idea to paint the speedo needle red, to offset the actual lack of speed. I hadn’t accounted for the fact it then wouldn’t show up at night so I had to guess which numbers were being covered up, rather than pointed to. I also fitted a bucket seat, but only fixed the front so it hinged forward to let rear seat passengers in. Unfortunately, it also hinged forwards at every junction – with me sitting in it. It was eventually stolen (whole whole car, not just the seat) but joyriders lost control on a roundabout, ploughed through a fence into a pond. It was back on the road in a week. Crumple zones really weren’t high on the priority list back then.

If you got the Top Gear gig, this wouldn’t be your first visit to the studio would it?

Hah, no. We tested the ‘Lexus Symphony Orchestra’ on the Dunsfold set – an orchestra of cars using nothing but their powerful stereos to recreate unique compositions we’d recorded at Abbey Road. See, I told you the stuff I did at work was relevant.

In your TED talk last year, you said “I’d rather apologise for something awesome than ask permission for something lame”. Does that rule apply here?

Yes, more than ever. I think it’s been the Top Gear philosophy since its reinvention in 2002, although I’m not sure it helped Jeremy in the end. I really hope the spirit and irreverence of the show is retained as it genuinely reflects the audience, rather than an idea of how that audience should behave. If the aim is to pursue new viewers, there’s a very real risk of losing the existing ones (and that’s a huge global audience) but I’d love the challenge, especially when I can bring an extra helping of design and technology to the Top Gear table. That’s two things increasingly relevant to the next generation of car fans.

On that bombshell… no wait, we’re gonna need a new catchphrase.

Many thanks to Barons BMW, Farnborough for the M4 convertible. You know I'll be back.

tags: Top Gear, Top Gear Auditions, #TopGearAuditions, Cars, automotive, Petrol Head, Petrol Heads, BMW, BMW i8, i8, Alfa Romeo, Alfa Romeo 8C, Alfa, Fiat Coupé, Fiat Coupe, GTV, BMW 850CSi, Giulia Quadrifoglio, Alfa Romeo Giulia Quadrifoglio, Ford, Ford Escort, Ford Escort MEXICO, TVR, TVR Sagaris, Renault Avantime, Renault, Sinclair C5, Citroën C6
categories: Automotive, cars, Celebrity
Sunday 07.19.15
Posted by Dean Johnson
 

Designing the Future