Rebel With a Cause

A rebel… every business needs one, from tech to finance, automotive to entertainment. Someone compelled to swim against the tide, or in reality, ahead of it.

To many, the idea of a disruptive influence in the midst of a well-oiled machine is the last thing they’d want to encourage. After all, there’s no ‘I’ in team, right? There is a big one in Impact and Instinct and two whoppers in Innovation.

Consider for a second some of the great disruptors, from Galileo and Socrates to Darwin and Jobs, we remember the plaudits and success but they faced their fair share of obstruction, ridicule and uncertainty. They stood their ground (often to their own detriment) but achieved greatness – not for themselves, but the advancement of mankind.

Their contribution to the world we live in was only given meaning through a willingness, a compulsion, to run before they could walk. They faced failure but learnt from this and channeled their energy into ever greater statements of intent.

The Apple ad from 1997 perfectly summed up this sentiment – “The ones who think they are crazy enough to change the world… are the ones who do”.

This spot was released to initiate the Think Different campaign in 1997. Here's to the reasons we stick with Apple through the ups and downs.

Now, I’m not claiming for a second that I have any right to share a platform with the greats mentioned above but I am a rebel and proud of it. 

My wife used to say the words to the Garth Brooks song ‘Standing Outside the Fire’ could have been written for me… “life is not tried, it is merely survived when you’re standing outside the fire”. It’s true, it’s hot in here, at times frickin’ uncomfortable and rarely involves sleep. It’s more rewarding than simply keeping your head down and merely getting on with it.

There is a careful balance to be achieved here. A business formed entirely of rebels is doomed to failure. My ‘Ultimate Agency’ post from 2010 is an example of a fantasy creative agency but imagine a top table featuring the likes of the late Steve Jobs and Wally Olins, to Stephen Fry, Mitch Joel, Marc Newson and Thomas Heatherwick. The Ultimate Agency would descend into anarchy without an army of ‘responsible adults’

My talk at TEDx Athens last weekend focused on the importance of balance. I spoke about the need for ‘seamless narrative’ and how without a clear understanding of this, you were unable to create ‘meaningful disruption’.

I gave the capacity audience their first taste of my rebellious disruption by equipping every delegate at the stunning Onassis Cultural Centre with our Brandwidth Innovation Lab app (iOS and Android) the audio-watermarked musical opening to my presentation triggered the digital performance, with each phone or tablet screen turning into an individual pixel to deliver a stunning light show – a 4D experience culminating with each handset vibrating as one for the final crescendo.

In the grand scheme of things, this was the equivalent to a digital firework display or waving lighters in the air at a concert. I still had a serious point to make. Communication on every level, on every device, no matter what kind of brand, business or individual needs to master the basic art of seamless narrative. Conversation and a clear personality needs a manageable change of pace. Merely shouting at an audience doesn’t work when everyone adopts the same volume or this just becomes white noise. Maintaining consistency is essential when adding impact to the meaningful messages.

My presentation is now available on Slideshare (although I had to convert this from Keynote to Power frickin’ point to upload) but please download for the full experience containing the embedded audio and video.

Disrupting Seamless Narrative from Dean Johnson

Here's the full TEDx video of my talk, complete with app-controlled 4D light show.

TEDx Athens was a wonderful experience, run by a passionate team lead by Dimitrios Kalavros-Gousiou and I was fortunate to catch some of the city sights thanks to Big Olive City Walks.

I wish I could have stayed longer but I’ve already flown from Athens to London, to San Francisco to Cupertino to LA in the past 48 hours, leaving disruption in my wake.

What a rebel.

It’s Hip to be Square, but spectacular to be rectangular [updated]

As camera technology changes and social channels multiply, we find ourselves with increasing opportunities to share a visual record of our lives with the wider world. The one constant is the subject matter and how we think about its creative execution. Or is it?

I rarely feel the need to update my blog entries or online articles as they stand as reflections of the moment and passing observations. Occasionally, a product or service upgrade prompts a change of information or time spent with the same requires some additional thought based on a long term review.

I originally wrote the article below as a non-Instagram user, which with hindsight seems a little unfair and ill-informed. All my original opinions still stand regarding composition and over-filtering of images but I'm now sleeping with the enemy… and it's not as bad as it sounds.

The main reason I chose to make the jump was the ability to share. I wanted to broadcast my photography, travels and life experiences through yet another social channel – square or not. I managed to upload 2 years worth of carefully selected 'square-friendly' photos and I'm now up to date.

The photos and videos featured on my other social channels are merely the tip of the creative iceberg. I don't post direct if they won't preview inline so all the rest now lurk on my @activrightbrain Instagram feed.

Here's the original article...

I’m going to be controversial here... I don’t like Instagram. I’m not rebelling against filtered photos or tenuous titling, rather it saddens me that in the quest for the square crop, we’re losing the art of composition.

What do I mean by this? Well, Instagram’s square format is perfect for an avatar but when Twitter’s preview image and both Twitter and Facebook’s header are landscape and Nelson’s Column, the Empire State Building and the Eiffel Tower all deserve a format to match their stature, square doesn’t quite cut it.

If you want an image with four sides of equal length, it should be because you chose that crop, not because it was the only option available. My header image (above) certainly wouldn't have worked on Instagram!

With a full landscape format, we understand the distance jumped and tell a story beyond the captured moment.

The smartphone and tablet revolution has given us more than digital independence or the office in our pocket, it has equipped us with a still and video camera so we’re always ready to capture the moment. Here’s the thing, the screen is a rectangle with a ratio of 4:3 to 16:9 and beyond. It seems a shame not to use the digital real estate.

A square crop would have forced us too far from the boy on the train or removed the focus of his attention – the castle.

A square format works for video platforms such as Vine (and Instagram) as you can pan horizontally and vertically to capture the full height of a subject or the panoramic vision.

However, in a rectangular viewfinder it’s still the general rule that portrait is better for... portraits and landscape is better for... landscapes. If you really want to be a rebel (or just add impact), try it the other way around.

The landscape format illustrates the sheer scale of the beach without overpowering the surfers with too much sand and sky.

I can’t deny I have an interesting life and I love having the ability to capture every relevant second on my own terms. To prove the point, I recently sold all my DSLR kit as this represented hardware dictating the terms. There were fewer and fewer opportunities for me to carry all the equipment with me yet my phone travels everywhere I go, especially with a waterproof case. The phone won, the DSLR lost.

Some images just deserve a portrait format. Without it, they're topped and tailed or given too much either side.

The upside of Instagram’s popularity is the fact that many more people are taking and sharing great photos, I just wish we weren’t settling for a single format when we’ve had centuries of painting, drawing and photography to show us that life’s more fun when you’re not trying to be square.

And the winner is... oh.

I’ve written enough about being a finalist in the Shorty Awards to make it quite clear how excited I’ve been about heading to the Social Media Oscars. It’s not until you find yourself sat in the audience at the New York Times building that you realise the social part of this isn’t all virtual.

I hadn’t been practicing my ‘honourable in defeat face’. Perhaps I should have, but sod it, I’ve worked damn hard to campaign on behalf of all great apps and I was genuinely disappointed not to lift the award on stage.

I was beaten by Digg. This isn’t sour grapes, but I lost to an app that hadn’t made any effort to win, had no campaign video and the Shorty community didn’t even vote for (it was added by the Academy). There’s something seriously wrong here – and not just in my category as this was a view shared by of many of my fellow ‘losers’.

To make matters worse, not only had I flown from London, queued for 40 minutes in the rain to get in, but had I actually won my category I wouldn’t have had my chance on stage as they were all read out, then the proceedings moved on. Anyway, here’s the 140 character acceptance speech I had planned:

“4 years ago, I queued up outside the 5th Ave Apple Store to buy the 1st iPad, to check our 1st iPad app worked. It did! The rest is history”

It may sound corny but this genuinely is a team effort. I’m the one hijacking the social channels and the airwaves and prancing around on stage for a living but without the incredible talents of Brandwidth’s design, development and client services teams, I wouldn’t have much to talk about.

If it looks as if April has been a big month for headlines (”Dean’s a Shorty Loser”) wait until you see May – major app launches in Music and Entertainment and interactive books for global blockbusters. This couldn’t be more exciting.

To add to April's news, we've just reached the final of the Webby Awards with our multi-touch book 'Saving Mr Banks' and our app 'The Doors'. It's too late to vote for the Shorty Awards this year, but we'd love a few votes in the Webbys.

The apps may be fun but this isn’t always the case for Social media.

We often hear of breaking news events through social channels, in many cases ahead of the traditional broadcast networks. I wrote about this last year after the tragic murder of Fusilier Lee Rigby outside the Woolwich barracks.

This week was no exception. We heard the tragic news of the death of Peaches Geldof, someone that had broadcast openly on social networks and attracted controversy, open criticism and abuse in the process. She wore her heart on her sleeve right up to her final Tweet.

This stuff is a window into our lives. We choose the shape of that window, and how frosted the glass is. Ultimately, we can retain control and shape the conversation, but it’s all too easy to broadcast one word out of place and suffer the consequences. The internet is an unforgiving beast – made up of both those who use it and the amplifying ripple-effect of digital content itself.

‘Social media’ is here to stay, even if the phrase and the Shorty Awards soon become irrelevant. Treat it with respect and it’s a fabulous doorway to your audience or a willing plaything. Step out of line and you’ll soon find playground politics are alive and well in the digital age.

The future may not be pretty, but the tech’s pretty awesome

The news that Facebook snapped up the VR startup Oculus Rift this week brought the tech into the limelight and kicked off a heated debate over the social giant’s plans.

Thanks to the media frenzy, a brand everyone had heard of brought one very few knew existed into mainstream conversation. I didn’t need to Google ‘Oculus’ or ‘Rift’, I had one on my desk.

When I say Oculus Rift isn’t new to me, I’m not being dismissive. Far from it – it’s my job to know about this stuff, assess the relevance of future platforms and create stunning content for it.

Rift has been on our radar (and our heads) at Brandwidth since its original Kickstarter campaign and we’ve had plenty of time to consider incredible possibilities for the future. The concept and rudimentary equipment has been around for decades but the whole platform fell out of favour until recently when Oculus reignited the flame of innovation in this area, along with Sony’s intention to compete with their Project Morpheus.

Virtual Reality (VR) is back, helped in no small measure by Google’s own efforts to tempt consumers to strap technology to their faces and massive advancements in CGI and screen resolution.

OK, it’s not back just yet but the technology is. Oculus Rift content and the delivery platform it requires haven’t launched yet but 2014 is the year it finally hits homes as well as developers’ desks.

So what is it? Well, it’s a black box with a screen over each eye to simulate an immersive 3D environment and motion sensors to track head movements. It’s this experience of looking around the digital landscape that truly transports you to another world. Add a set of stereo headphones and the effect is complete... or is it?

The moment you dip into this virtual world, you’ll be hooked. From rollercoaster rides to epic space battles to eerie haunted houses, the virtual feels real. But what’s missing? You are.

The next big steps will come from the ability to place yourself within these incredible environments. Using Leap gestural units, MYO armbands or bluetooth-connected smartphones, you’ll be able to see your virtual body parts in front of you. At Brandwidth we’re already using iPhones as light sabres – who wouldn’t want to get their hands on one of those inside Rift?

Surely there isn’t another step? Actually, there is. We now have the opportunity to add other people to your virtual world to share the ultimate storytelling experience, explore epic worlds like Disney’s Infinity, or meet in virtual shopping malls, showrooms or conference facilities. Social plug-ins are an obvious move.

Yes, I can see why Mark Zuckerburg wanted to add Oculus Rift to his growing portfolio. but also, if you’ve got the billions to invest and you love technology, why wouldn’t you?

There’s a business case here but there’s also a chance for Facebook to add scale and creative potential through investment dollars that may never have been achieved had they not come on board. The development units (even the new MkII) aren’t yet truly mobile. Freedom from cables and a computer will really move the game on, but we may need to wait for the second generation consumer model for this.

Instantly visit the four corners of the earth, relive history as you walk in the footsteps of astronauts, Presidents or dinosaurs or allow surgeons to operate from within a body. That’s progress.

No, the future’s not all white and shiny if many will sit in a darkened room in their underwear with a pizza on their laps, immersing themselves in virtual worlds... but the technology is undeniably awe inspiring.